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The new season of House Norman proposes a rethinking of the forces and once again gives pride to women, promising a program anchored in the reality of the 21st century.
” In the midst of the turmoil of this world, where every day confronts us with new challenges, the opera stands like a lighthouse that illuminates the paradoxes of our time. », announces the general director of the Rouen Normandy Opera, Loïc Lachenal. After two seasons as a sign of love, the lyrical house expands its scope with works that ” they invite us to reconsider our strengths “. This theme will be broken down around several main axes – our world at war, conventions and freedom of creation, collective destinies and the truth of feelings… – all in the company of a terrifying maestro Ben Glassbergwhich is entering its fifth season.
After recent debuts in several other Verdi operas, Joyce El-Khoury this time tried her hand at Aidafalling in love with Adam Smith’s Radamès under the guidance Pierre Bleusein an already well-established universe Philipp Himmelmann. The experience will be aimed at as many people as possible, as the show will be broadcast on the big screen across the region on Saturday 5 October.
THE Dialogues of the Carmelites de Poulenc will then continue to explore the theme of collective destinies with a new production Tiphaine Raffier, who takes his first steps in opera. On the set will be many in the novitiate: Hélène Carpentier as Blanche, Jérôme Boutillier as the Marquis, Lucile Richardot as Madame de Croissy, Eugénie Joneau as Mother Marie and very young Emy Gazeilles in Sister Constance will debut in her roles, under the soothing baton of the lord of the place, Ben Glassberg.
Maestro then returns to Ariadne on Naxos at Strauss according to the duo Clarac & Deloeuil, a production created in Limoges in 2022, which offers mise en abîme all in video. Both in the pit and on the stage the distribution will be very British : Sally Matthews as Prima Donna then as Ariadne for the first time, John Findon as Tenor then as Bacchus, Paula Murrihy as Composer.
After Tancred this season, Pierre-Emmanuel Rousseau takes over Rossini’s second opera: Semiramide. They are worn by Karine Deshayes and Franco Fagioli as mother and son, and from Valentina Peleggi on the podium, the production promises to be grandiose.
Finally, let’s mention a little-known food gem, Doctor Miracle Directed by Bizet Pierre Lebon and led Alphonse Ceminas well as Coronation of Poppe Monteverdi gave in the concert version Banquet Céleste of Damien Guillon, with Catherine Trottmann, Ray Chenez and Victoire Bunel.
The house orchestra is also eagerly awaited in the symphonic repertoire. Some of the highlights: a concert dedicated to Brahms and Nielsen conducted Emilia Hoving with Raphaëlle Moreau on violin, 100% Ravel program with Alexandre Tharaud AND Lionel Bringuieran evening with Poulenc, Sibelius and the British composer Anna Clyne under the leadership Ben Glassbergwhich then returns to the poetic moment around Chausson, Poulenc, Prokoviev and Camille Pepinwith Stéphane Degout.
To these many ambitious proposals are added those of invited groups that will parade throughout the year: the musicians of Saint-Julien, Véronique Gens and I Giardini, the Correspondances ensemble… The forces will therefore be multiple, but always on the good side!
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