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We certainly waited too long with Love Phew. But we almost want to say that it is not our fault. This is the film that the French film industry has been selling to us for months as a new knight in the service of the French seventh art. We are told a miracle: a great popular gesture, produced for the modest sum of 35 million euros (the largest budget in the history of Studiocanal for a French film, ahead of 32 million for Wolf Pact 2001), with a star-studded cast and tower champions, inspired by Neville Thompson’s novel that Gilles Lellouche adapted in the company of Ahmed Hamidi, with whom the actor and director was already a co-writer A large bath 2018 and directed by Audrey Diwan. Add to that the shooting over almost five months and the promise of a crazy epic that lasts almost three hours, mixing genres and tones, mixing romance and blood in the same alloy, and you had the horizon of a rather unusual and tempting cinematic feast for the French artistic landscape.
It must be said, not lying, it starts very well. Following the blood-red credits, a horde of young people, jogging and relaxing, advances conqueringly to, we assume, set out to correct the enemy gang. Next shot, Adèle Exarchopoulos, alone, running in the middle of the road to, we assume, warn of impending disaster. We start to dream. Would Gilles Lellouche decide to take a walk in the flower beds story from the west side, repeat the unforgettable finale from the first minutes of his third feature film? Two years after the masterful reading of the musical by Steven Spielberg, we immediately admire the audacity to go back and try it through the back door. We even recognize that we are struck, in a dizzying way, by the fury and conviction with which Lellouche rushes to the floor as soon as it opens, with the hum of the engine, the shadows of strife cast on the walls and lens flares shining in the night. He has an idea and bites it with all his teeth, promising the viewer an ending, already announced, that justifies his expectations.
What happens next in Phew love ? Many things, but above all the meeting of two people. Through a long flashback, the film decides to follow the story of its two heroes again. Their names are Jacqueline and Clotaire, and in their young years they are played by Mallory Wanecque (discovered in Worst 2022) and Malik Frikah, then in the adult phase Adèle Exarchopoulos and François Civil. She lost her mother in a car accident and is trying to recover with the father she plays Alain Chabat; He, the unruly son of an abusive worker, lives in a chaotic family cocoon. He left school and the possibility of a promising future long ago. The two sway and stare at each other before falling madly in love with each other.
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